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The FSB claimed that the "Russia-Ukraine war has enhanced pre-existing concerns" it has worrying the "growth and prospective illicit usage of cryptoassets."
In case you had not heard, the metaverse is coming. Maybe Source will build part of it. Possibly it's already here, in the kind of computer game such as Fortnite, digital antiques understood as non-fungible tokens and even cryptocurrencies. Maybe there will be more than one metaverse; maybe there will not ever actually be any.
What is clear, nevertheless, is that we are indicated to think about this amorphous metaverse as a location of infinite marvel and possibility. It is envisaged by techno-utopians as an interconnected web of virtual worlds in which our "digital twins" can roam about purchasing virtual art, participating in virtual gigs and having virtual relationships.
"It's not about the commerce behind it, but belonging where people from different parts of the world can. have a chance for prosperity." Obviously Meta, Kovan has no interest in making a land-grab for this new sphere, never mind that his pseudonym may originate from a partial translation from Tamil to mean "king of the metaverse" or that he might run one of the world's greatest NFT funds.
NFTs representing plots of virtual "land" in the metaverse have actually already been offered for numerous thousands of dollars' worth of cryptocurrency. One company selling such virtual goodies is Somnium Area, bought by Facebook founder Mark Zuckerberg's old competitors, Cameron and Tyler Winklevoss nowadays much better understood for being bitcoin billionaires.
"The race for the metaverse is on!" one brother tweeted. He gave the video game away. As far as I'm concerned, the hypocritical dream that underpins crypto likewise lies at the heart of the metaverse. This isn't about building a decentralised paradise where everybody can succeed and live in harmony; this has to do with making a little group of people abundant."The metaverse is a marketing offensive," states Janet Murray, a professor of digital media at the Georgia Institute of Innovation and author of Hamlet on the Holodeck: The Future of Narrative in Cyberspace.