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g. C Mixolydian over C7) The fundamental dominant scale (1, 3, 5, b7). Dorian Play over: Minor 7th/ Minor sixth chords (e. g. C Dorian over Cm7/ Cm6) Characterised by its significant sixth (6) over minor 7th chords (1, b3, 5, b7). Locrian Play over: Half Decreased chords (e.

C Locrian over Cm7b5) Melodic minor jazz guitar scales The melodic minor scale also has its own modal system, producing 7 of its own modes/scales, every one rooted on a degree of the scale. These obtained scales have qualities that are well fit to those tense, modified jazz chords. Notice how the names of some of these scales describe modes of the significant scale (e.

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Dorian, Mixolydian) but with minor alterations (e. g. Click Here For Additional Info ) that make significant differences to the scale's overal sound ... Melodic Minor Play over: Minor Major 7th/ Minor sixth chords (e. g. C Melodic Minor over Cm, M7/ Cm6) Same as Dorian, but with a major 7th instead of a minor 7th.

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Dorian b2 Play over: Suspended fourth, Flat 9th chords (e. g. C Dorian b2 over C7sus4/b9) Dorian with a small 2nd. Usually used as an option to Phrygian minor. Lydian Increased Play over: Significant 7th, Enhanced fifth chords (e. g. C Lydian Augmented over Cmaj7 # 5) Lydian with an augmented 5th.

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g. C Lydian Dominant over C7 or C7 # 11) A good (and typically more effective) option to Mixolydian, the only difference between the 2 being the 4th. Mixolydian b6 Play over: Dominant 7th, Flat 13th chords (e. g. C Mixolydian b6 over C7 or C7b13) Remember the 13th is the very same as the sixth, so we're looking for a flat sixth (b6) period over flat 13th chords.