The Basic Principles Of The Music of Charlie Christian Book + Online Audio - swing

Not known Incorrect Statements About Guitar Solo Christian Tabs

Series: Signature Licks Format: Softcover Audio Online TAB Artist: Charlie Christian Arranger: Wolf Marshall Explore the riffs, solos and sounds of the initial electrical jazz guitar virtuoso with this detailed book/online audio pack! Wolf Marshall uses excerpts from 15 of Christian's classics to demonstrate his groundbreaking methods, including: Air Mail Unique Benny's Bugle Sufficient to Keep (Air Mail Special) Grand Slam Honeysuckle Rose I've Found a New Infant (I Found a Brand-new Child) 7 Come Eleven Shivers Solo Flight Stardust Entirely Cats and more.

Charlie Christian (1916-1942)Anatomy of a Guitar Solo 4: Seven Come Eleven - Charlie Christian - YouTube


Rose Room' — Learn a Swing-Jazz Evergreen and a Charlie Christian Solo -  Acoustic GuitarHal Leonard Charlie Christian - The Definitive Collection (Book) - Guitar Center


Song List Print Air Mail Special Benny's Bugle Chose "What" Wind Excellent Enough To Keep (Air Mail Special) Grand Slam Honeysuckle Rose I've Discovered A New Baby (I Discover A Brand-new Infant) Seven Come Eleven Shivers Six Appeal A Smooth One Solo Flight Stardust Till Tom Special Entirely Cats 24.

8 Easy Facts About Hal Leonard The Best of Charlie Christian (Book/CD) - Music Explained

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Charlie Christian- The Art Of Jazz Guitar - [PDF Document]Charlie Christian- The Art Of Jazz Guitar - [PDF Document]


BOOK HOW TO PLAY JAZZ GUITAR IN THE STYLE OF Things To Know Before You Buy

12Table of Contents Intro ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 5 Charlie Christian Biography ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...... 7 Charlie Christian's Influences ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 8 Charlie Christian and Benny Goodman ... ... ... ... ... ... ... ... ... ... .......10 Charlie & Bebop ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 11 Charlie Christian's Guitar Method ... ... ... ... ... ... ... ... ... ... ... ... ....12 Charlie's End ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ....13 Charlie Christian's Gear ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...... 14 Charlie Christian's Guitars ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 15 Charlie Christian's Amps ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .......19 Charlie Christian Discography ... ... ... ... ... ... ... ... ... ... ... ... ... ...... 21 Chapter 1 -Chord Principles ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...... 26 Minor Family Shapes ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .......27 Dominant Family Shapes ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 30 Significant Household Shapes ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 35 Decreased Family Shapes ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 383 Comping Research Study Newbie ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 41 Comping Research Study Intermediate ... ... ... ... ... ... ... ... ... ... ... ... ... ... ....43 Single Note Ideas-Arpeggios ... ... ... ... ... ... ... ... ... ... ... ... ...... 85 Major Household Chords ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 87 Dominant Family Chords ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 94 Minor Family Chords ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 101 Lessened Family Chords ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ....109 Soloing Research Study -Dinah ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 120 Soloing Methods-Chromatics ... ... ... ... ... ... ... ... ... ... ... ... ... ... 124 Approach Notes ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 125 Blues Notes ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ....130 Death Notes ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .......1354 Enclosures ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 140 Soloing Study-Rose Room ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 147 Soloing Techniques Ideas ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 151 Repeating ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 152 Phrasing ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ....157 Chord Alternatives ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .......163 Soloing Study 7 Come Eleven ... ... ... ... ... ... ... ... ... ... ... ... ... 170 About The Author ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... The main areas of his technique that you'll check out are chord shapes(which he utilized to base his singlenote lines), scales, arpeggios, licks, patterns, and more. As Christian based his soloing lines off of typical guitar shapes, you'll start by discovering these shapes, then develop in each chapter from there. Since of this, the book separates these products into various chapters, rather than placing them side-by-side as other Christian training books frequently do. This way, you can find out the chords in the start of the book, then use them to develop your comping abilities, or set them up with scales and arps later on in the book. Each of these licks and solos is based off of popular Christian performances, and will help you go into his vocabulary in addition to the technical elements of his playing. Have View Details with this material. Take your time, work each area gradually, and build your understanding of Christian's soloing method in the woodshed. Christian's fluid, melodic lines that could swing like a horn, set the gold requirement and template for essentially all jazz guitar players to follow. Until Christian hit the scene, the guitar was primarily a secondary voice, constrained to a balanced role. Although gamers such as Eddie Lang, Lonnie Johnson and Django Reinhardt represented early supporters of the acoustic jazz guitar as a dominant solo instrument, Christian not just took the guitar to a new level of electrical amplification, he jettisoned it into a lead solo area that would get greater prominence and sustain till this day. 8Charlie Christian's
Influences All jazz guitar players who came on the scene between 1940 and the 1960s cut their teeth on the solos of Charlie Christian who's style and technique worked as a structure to their cognitive grasp of jazz guitar. Christian's style was a direct ancestor of the bop sound which ultimately evolved into the more complicated