I have dropped the prototypes on hardwood once again and again, and they just bounce and are great. IDX endure being dropped onto concrete (for a while)! So if you're hard on equipment, this mouthpiece should be able to take rather a pounding and hold up well over time. Each GS RESO gets thoroughly before concerning you.
The magic of a mouthpiece remains in the dealing with. If you purchase a generic, mass-produced mouth piece, opportunities are the table is not flat and the dealing with is unequal in between the side rails. As a result, the reed vibrates unevenly. It feels stuffy and dead, resistant, and all-around disappointing to play.
I don't know the number of players I've helped to get their very first actually good mouth piece, and all of an abrupt playing is fun! Given that we, you get an easy reed seal. There are no print lines or marks messing up the facing. It's smooth and best like a store mouthpiece.
I'm really particular about this, so I learned to do it myself so I could be sure these pieces were in fact the same as my Freddie Gregory-faced Reso Chamber. Mouth piece dealings with are unforgiving. Small issues can make a huge difference in playability. Unlike any other mouth piece of its kind or anywhere near its rate, each one of these GS mouthpieces goes out the door just when it is faced just right.
I presently have about 750 pieces, and of those there have to do with 20 that I believe are in that Holy Grail classification. Those are the mouth pieces that will be coming out in the GS Mouth pieces line. Keep an eye on this, if you want to create a collection of the very best playing saxophone mouthpieces ever, while keeping costs to a minimum.
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