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Do not be expecting a beat either while Ren Lwe's earlier work was aimed directly at the dancefloor, 'Elevation' is strictly for weed hangovers and mouthfuls of spurious prescription drugs. Crafted back when Monolake was made up of Ableton creator Gerhard Behles and Robert Henke, 'Occam' is a stunning early example of why the duo was so influential not only within the genre but in the broader world of electronic music.

While there's no doubt that the dub techno sound was mostly focused around Berlin, there were plenty outsiders that managed to effectively gain traction most significantly Texan producer Convextion, who provided a hugely well-known run of 12"s in the mid 90s. Taking simply as many guidelines from Detroit as he did Berlin, Gerard Hanson managed to summarize the age perfectly on 'Ebulience', which merged the warm fuzz of Domino effect with the uptempo pad-led stomp of the Belleville 3.

The track feels like an extension of Richie Hawtin's mid-90s dub-influenced experiments (under the Idea 1 moniker), however includes a nearly blissful atmosphere to soften the plain, cavernous beats. Truthfully, most of Rhythm & Sound's famous run of 10"s and 12"s weren't really techno at all they were Ernestus and von Oswald's excellent efforts at proper reggae.

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Originating From Thomas Brinkmann's Max Ernst imprint, Finnish producer Sasu Ripatti's 2nd 12" under the Vladislav Delay name fasted to establish him as an essential gamer in the scene. While he would best his art with a multitude of genre-bending long-form records (Anima is a specific emphasize), 'Lehka' and the subsequent Chain Reaction 12"s were an innovative, speculative take on the then common sound.

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Merging Betke's electrified dubwise soundscapes and the balanced strength of Ernestus and von Oswald, Clayton's EP Nek Purpalet and subsequent album Nek Salanet still stand as 2 of Scape's most effective drops. 'Nele' is the album's standout track, and seems like little else. Research It Here 's clearly British take on the dub techno sound was exemplified in the impressive 'Summer season' a track so revered in some circles that it wound up being bootlegged not long back, after numerous years of unavailability.