SANDU (Wes Montgomery Transcription) TABs + Score - David Plate

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Phrasing but also great lines and melodies When I transcribed or discovered this solo I was not really evaluating his playing and I didn't write down the expressions I simply played in addition to the record and attempted to get near to his phrasing. That was really handy for a lot of things with timing and phrasing and is probably what I would recommend you do when working on transcriptions.

4 on Six and Smokin at the Half Note 4 on 6 is to me "The" Wes montgomery piece, and it is also the one that I have actually learned the most solos with the 3 various variations. If you wish to have a look at my Top 5 traditional Albums list you can do so here: Leading 5 Classic Jazz Albums The song is a 16 bar form and it is based upon the changes of Summer season with a couple of additional II V progressions.

Summer season in the key of Gm is clearly the exact same kind and harmony: What I really wish to reveal you is for how long the melodic concepts in Wes solo are and how that truly connects the entire thing together. This Website over 8 bars Real melodic improvisation This is an excellent example of Wes extra-ordinary sense of tune.

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The melody is coming out of a Gm11 arpeggio highlighting the 9 and the 11. This is stated on the Gm and then duplicated with a minor variation. Then it is established and reduced on the coming down II V's using simply the descending arpeggio. So what we have here is a melodic concept that spans 8 bars.

The very first part is an F7alt then moving onto Bbmaj7 and really nailing the cadence to the Gm Jazz is about Rhythm and so is Melodic development Is a very easy method of utilizing a simple to play motif and then still manage to make it a fascinating advancement throughout 4 bars.